{"id":12993,"date":"2022-04-20T20:02:12","date_gmt":"2022-04-20T20:02:12","guid":{"rendered":"https:\/\/oma-liese.com\/?p=12993"},"modified":"2022-05-24T19:01:14","modified_gmt":"2022-05-24T19:01:14","slug":"vatikan","status":"publish","type":"post","link":"https:\/\/oma-liese.com\/?p=12993","title":{"rendered":"Vatikan"},"content":{"rendered":"\n

Vatikanische Museen<\/h2>\n\n\n\n

Die Karten sind online vorbestellt. Unser Eintrittsfenster beginnt um 11:30 Uhr. Nach gr\u00fcndlicher Sicherheitskontrolle sind wir tats\u00e4chlich in den Vatikanischen Museen angekommen. Alles sehr professionell organisiert, sodass wir trotz der riesigen Menschenmenge sehr z\u00fcgig vorankommen.<\/p>\n\n\n\n

Die erste Station ist eine Terrasse, von der aus wir schon mal hin\u00fcber zur Kuppel des Petersdomes sehen k\u00f6nnen.<\/p>\n\n\n\n

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Nach einem kurzen Aufenthalt in einem Vorhof geht’s hinein in die Museen mit Sammlungen unvorstellbaren Ausma\u00dfes. Von allem viel. Zu viel.<\/p>\n\n\n\n

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Blick \u00fcber Rom<\/figcaption><\/figure>\n\n\n\n
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Laocoon-Gruppe<\/figcaption><\/figure>\n\n\n\n
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Platzmangel im Vatikan. Die Figuren m\u00fcssen schon gestapelt werden.<\/p>\n\n\n\n

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Das Rindvieh tr\u00e4gt noch sein stolzes Haupt,<\/p>\n\n\n\n

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w\u00e4hrend von ihm nur noch ein ansehnliches St\u00fcck Steak \u00fcbrig ist.<\/p>\n\n\n\n

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Jetzt in eine Sammlung mit Wandteppichen… <\/p>\n\n\n\n

ein Beispiel muss gen\u00fcgen:<\/p>\n\n\n\n

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Jesus in Emmaus, Wandteppich<\/figcaption><\/figure>\n\n\n\n

Es folgt die Kartensammlung<\/p>\n\n\n\n

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endlos langer Kartensaal<\/figcaption><\/figure>\n\n\n\n

…<\/strong><\/h1>\n\n\n\n
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Danach w\u00fcrden wir gerne hinaus ins Freie, aber man l\u00e4sst uns ungern gehen. Wir sollen noch an Buch- und Souvenierst\u00e4nden, Cafeterias und Imbissen vorbeigeschleust werden, damit wir konsumieren.<\/p>\n\n\n\n

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Zwei prachtvolle Decken<\/p>\n\n\n\n

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Chagall, Dali, Matisse & Co.<\/strong><\/p>\n\n\n\n

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Henri Matisse, Vetrato della navata, 1949<\/figcaption><\/figure>\n\n\n\n
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Henri Matisse<\/figcaption><\/figure>\n\n\n\n
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Henri Matisse, La Vierge \u00e0 l’Enfant<\/figcaption><\/figure>\n\n\n\n
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Henri Matisse, Vetrato del coro, 1949<\/figcaption><\/figure>\n\n\n\n
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Henri Matisse, Crucifix, 1951<\/figcaption><\/figure>\n\n\n\n
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Ernst Barlach, Monks reading III, 1932<\/figcaption><\/figure>\n\n\n\n
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Ernst Ludwig Kirchner, The lake of Constance seen from Kreuzlingen, 1917<\/figcaption><\/figure>\n\n\n\n
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Gabriele M\u00fcnter, Still life with devotional corner, 1909 – 1910<\/figcaption><\/figure>\n\n\n\n
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Max Ernst, Crucifix, 1914<\/figcaption><\/figure>\n\n\n\n
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Otto Dix, Christ ans St. Veronica, 1943<\/figcaption><\/figure>\n\n\n\n
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Otto Dix<\/figcaption><\/figure>\n\n\n\n
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Karl Schmidt-Rottluff, Prayer, 1918<\/figcaption><\/figure>\n\n\n\n
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Paul Klee<\/figcaption><\/figure>\n\n\n\n
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Paul Klee<\/figcaption><\/figure>\n\n\n\n
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Marc Chagall, Chist and the painter – the artist and his Model, 1951 (links), Jacob’s Dream, 1977 (rechts)<\/figcaption><\/figure>\n\n\n\n
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Marc Chagall, Red Pieta, 1956 (links), Crucifix between God and the Devil, 1943 (rechts)<\/figcaption><\/figure>\n\n\n\n
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Lyonel Feininger<\/figcaption><\/figure>\n\n\n\n
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Salvador Dal\u00ec, Figueras 1904 – 1989, Soft Monster in Angelic Landscape, 1977<\/figcaption><\/figure>\n\n\n\n
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Salvador Dal\u00ec, Figueras 1904 – 1989, Crucifixion, 1954<\/figcaption><\/figure>\n\n\n\n
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Salvador Dal\u00ec, Fugueras 1904 – 1989, The Trinity, 1960<\/figcaption><\/figure>\n\n\n\n
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Francis Bacon, Dublino 1909 – Madrid 1992, Study for Pope II, 1961<\/figcaption><\/figure>\n\n\n\n
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Jacob Epstein, New York 1880 – Londra 1959, Madonna with Child, 1950<\/figcaption><\/figure>\n\n\n\n
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Arnaldo Pomodoro, Studies for the „Door of the Kings“ in Cefal\u00f9 Cathedral, 1997 – 1998<\/figcaption><\/figure>\n\n\n\n

Petersplatz<\/h2>\n\n\n\n
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oben rechts Papst Franziskus Wohnung <\/figcaption><\/figure>\n\n\n\n
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Der eine hat einen Vogel,<\/p>\n\n\n\n

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der n\u00e4chste verkleidet sich als solcher.<\/p>\n\n\n\n

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Petersdom<\/h2>\n\n\n\n
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Michelangelos‘ Pieta<\/figcaption><\/figure>\n\n\n\n
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Christina von Schweden<\/figcaption><\/figure>\n\n\n\n
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Gr\u00f6\u00dfenvergleich K\u00f6lner Dom<\/figcaption><\/figure>\n\n\n\n
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Blick von der Marke aus nach vorne<\/p>\n\n\n\n

und nach hinten<\/p>\n\n\n\n

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Petrus‘ Grab<\/h2>\n\n\n\n
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Apsis<\/h2>\n\n\n\n
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Petrus‘ Kreuzigung<\/figcaption><\/figure>\n\n\n\n
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Taufbecken<\/figcaption><\/figure>\n\n\n\n
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Hier wurde Karl der Gro\u00dfe gekr\u00f6nt, Porphyr, Stein der Herrscher<\/p>\n\n\n\n

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Timothy Paul Schmalz, 2019<\/figcaption><\/figure>\n
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Vatikanische Museen Die Karten sind online vorbestellt. Unser Eintrittsfenster beginnt um 11:30 Uhr. Nach gr\u00fcndlicher Sicherheitskontrolle sind wir tats\u00e4chlich in den Vatikanischen Museen angekommen. Alles sehr professionell organisiert, sodass wir trotz der riesigen Menschenmenge sehr z\u00fcgig vorankommen. Die erste Station ist eine Terrasse, von der aus wir schon mal hin\u00fcber zur Kuppel des Petersdomes sehen … <\/p>\n

\u201eVatikan\u201c <\/span>weiterlesen<\/a><\/p>\n

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